The enormous installations of Zoro Feigl defies the laws of nature. His work seems to be alive, put in action by the artist, but yet the moving parts seem to be not fully controllable.

Feigl’s forms are constantly changing, sometimes slowly, sometimes quickly. The exhibition space becomes an enlarged microscope: single-cell creatures, primitive organisms are twisting, groaning and convulsing. Without beginning or end the objects seem to be locked inside themselves. As a viewer you become entangled in their movements: they embrace and amaze or can frighten you.