Essay

Hans den Hartog Jager heeft een prachtig essay geschreven waarin hij vanuit zijn optiek de expositie en thematiek van de Haperende Mens beschrijft. Het is een unieke uitgave in een beperkte oplage.

Te bestellen via info@haperendemens.nl
prijs: 7 euro incl verzendkosten

Bij de tentoonstelling en op het festival kunt u het essay voor 4 euro kopen – zolang de voorraad strekt

on BURROUGHS, CUT UP & RE/SEARCH series

V. Vale is an editor, writer-interviewer, historian, photographer and pianist. He was the publisher-editor of the 1977-79 zine SEARCH & DESTROY launched with$100 each from Allen Ginsberg, and Lawrence Ferlinghetti, and published at City Lights Bookstore in San Francisco. For Vale, Punk provided a launching pad for cultural-anthropological explorations, including Industrial music, the writings of J.G. Ballard and

William S. Burroughs, feminism, plus “Incredibly Strange” filmmaking and music, which he has chronicled with the RE/SEARCH series of publications founded in 1980. The RE/Search series have become the equivalent of a countercultural bible: essential reading not only for Punks — all the books, Vale swears, are informed by that Revolution — but artists, musicians, and cultural fire-starters. Vale built a bridge with his paperbacks between cultural movers around him and the world of books: “I learned long ago that reading is not a passive process, I like to mark up my books. My books are heavily interacted with. I look at books not as books, but as conversations.”

J.G. Ballard, William S. Burroughs, Dead Kennedys, Devo, Philip K. Dick, DNA, Brion Gysin, George Kuchar, Timothy Leary, Lydia Lunch, David Lynch, Octave Mirbeau, Genesis P. Orridge, Iggy Pop, Henry Rollins, Siouxsie Sioux, SRL, Suicide, Sun Ra, Television, John Waters
V. Vale has covered them all.
Burroughs even taught Vale how to throw knives!

FILM ART & HAPERENDE MENS PRESENT
V. VALE on BURROUGHS, CUT UP & RE/SEARCH series
Monday September 8, 8 pm – 9.30 pm
ARTI ET AMICITIAE, ROKIN 112, AMSTERDAM
ENTREE FREE – reserveren: claartje@arti.nl

Haperende Mens Film Shorts

Tijdens het Haperende Mens Festival is in de filmzaal van de Melkweg een doorlopende vertoning te zien van de Haperende Mens Film Shorts, samengesteld door Chris Oosterom.

Programma:

Astigmatismo – Nicolai Troshinsky (Spanje 2013)
Bloom – Sam Legassick (Groot-Brittannië 2014)
Emil – Simon Steinhorst (Duitsland 2014)
Familiar – Richard Powell (Canada 2012)
Figures – Miklos Keleti (België 2014)
Fragmenty – Aga Woszczynska (Polen 2014)
The Kármán Line – Oscar Sharp (Groot-Brittannië 2014)
Reproduction – Sagmo Alexander (Denemarken 2014)

Chris Oosterom is artistiek directeur van het Imagine Film Festival in Amsterdam. Voorheen was hij onder meer werkzaam als filmprogrammeur bij het  Paard van Troje in Den Haag en EKKO in Utrecht.

X-Rated door Bob Rusche

Bob Rusche besteedt in zijn programma X-Rated aandacht aan de Haperende Mens en geeft festival kaarten weg.

De line-up komt aan bod en natuurlijk verwachten we van deze ingewijde en kenner bij uitstek de nodige achtergrond informatie. We vermoeden ex Wolf Eyes Aaron Dilloway, eerdere experimenten van Amen Dunes of misschien geluidsmuren van Action Beat + GW Sok en Skull Katalog (ex Sewn Leather) of het compromisloze werk van Actress. Van eigen bodem gokken we op werk van Distel of misschien Unit Moebius.

Wij zijn alvast heel nieuwsgierig welke Haperende geluiden Rusche ons voorschotelt en zitten morgen 21 uur sharp naast de box.

X-Rated Concertzender

Red Light Radio

Op 1 september om 16 uur is de Haperende Mens te gast bij Red Light Radio, met Shitcluster & Unit Moebius een uur muziek met Jan Duivenvoorden en Charley Watkins.

Shitcluster en Unit moebius staan beiden in de line-up van het Haperende Mens festival op 12 september.

Red Light Radio

Red Light Radio

Een auraal voorproefje van de DJ-set die Danny Devos a.k.a. Carl Cryplant op Haperende Mens ten gehore zal brengen is op donderdag 21 augustus om 16:00 te beluisteren bij Red Light Radio.

In deze uitzending zal Menno Grootveld een gesprek hebben met Danny Devos. Aansluitend zal zijn alter ego, Carl Cryplant een proeve van zijn draaikunsten ten beste geven.

Red Light Radio

Carl Cryplant

Dear Rhonda,

As promised I’m sending you a little report from my first date through your services.

I have not so long adhered to your outstanding services, but lately I had gotten so much involved with chatting on the internet and that is how I got involved. I am a devout Christian man, 47 years of age and have lived all my life with my mother in the town of Ypres (pronounced ‘wipers’) in Belgium. I work as a bio-acoustic medical scientist at the university of Verdun in the north of France. That’s where – strictly for scientific reasons – I got involved with the internet. As my speciality is bio-acoustic medicine, I research the effect of frequencies on the human body in order to relieve chronic pain patients of their continuous bouts of pain and misery, also often causing severe moodswings and depression. Anyway, more or less by accident I stumbled onto a frequency in the range of 33hz, which apparently makes women moist. Not daring to draw the experiment further with my assistent Holly, a striking black-haired young women of about half my age, I went upon discussing my discovery in some of the – I must say seedier – so-called chat-rooms on the internet. Not really to my surprise, quite a few women got thrilled by the idea, so I tried several times to get them as far as to comply to some of my experiments in real life. At the point of making a realtime appointment, that’s usually where things went astray. Either they were living on the other end of the planet, or – more often – they would make a fool out of me when I finally found the courage to telephone them. So then I got involved with your services. I must say that I also got kinda worried about my life not being normal anymore, living with my mother at such age and so on. I had already noticed some guys smirking at me in the university diner, and at a certain point, an unidentified fellow worker must have smuggled a so-called “english rubber” into my lunchbox, causing great hilarity in the university canteen. This just to say, Mrs Rhonda, that my intentions to make use of your services were absolutely sincere and true to the heart.

I must say I was surprised that you actually fitted me with a date so soon. And even more was I thrilled by the fact that we were to meet at the “Ol’Floorboard” tavern because I’ve been acquainted with square dancing already since when I was a little toddler. So this very friday night I arranged for my mother to go visit auntie Violet, and prepared my technical setup to welcome my date. I had prepared some fine remix cassette-tapes to play on my boombox in order to generate the necessary sounds for the test subject to respond, who would then lovingly embrace me, kiss me and spontaneously undress, and we would then make love all night in the most unseen manners before. Yes! This would be the night.

I got at the “Ol’Floorboard” really well in time because I wanted to make sure to pick a nice table for – perhaps – after all meeting the love of my life. As I entered the tavern on or around 19.30hrs, I accidently bumped into an olive-drab dressed punk who grumbled “You can FUCK that FRONT part of yours”, which I presume to be a misunderstanding on my part. In the hassle he dropped a parcel that I still tried to hand back but he madly ran away into the night, still furious. I looked at the parcel and saw it was a CD. It had written “Shitty Disco Bum” on it. As I was still gazing to the weird lettering on the CD, a waitress showed up asking me what I wanted to drink. I was still a little disheveled, which she must have noticed because she asked me what the CD was about then. I said I didn’t know, but I would have liked to get a large dark beer. “Allright then” she said and grabbed the CD from my hand “let’s hear how good a disco singer you are then!”. I smiled sheepishly as she took the CD with her and popped it into the player behind the bar. I was pretty tired from all days’ work at the university, and still a bit shook up by all the action I got involved in, just within minutes, so I took advantage of the booths on the side of the tavern and nested myself in one of them. I made sure to choose one from where I could keep an eye on the door, not to miss the moment when finally my date would enter and my heart most probably would skip a beat. I sighted and smiled to myself. While the waitress brought my beer, the music was starting up with basically some whining noises and the sound of a guy moaning or so. Hopefully nobody had noticed the waitress pulling the CD from my hands. Now, the music in the tavern was rather loud, not horribly so, but it was loud. Especially the bass. The whole booth was vibrating and I could see some gushes of foam from my beer spatting onto the table. I drank quickly not to make a huge mess on the table and inside the booth by the time the love of my life would arrive. The sound was kind of soothing in a way, I felt the tiredness float from my body. For a bit. Then I realized that I was really burpy and gassy. The bass was actually jump-starting my insides. Honest, Mrs Rhonda, I couldn’t stop burping and farting. It felt as if they used solenoids in a flexible floor to produce the sound sensations I felt. I could distinctively feel a low frequency vibration which, while reproduced at such sufficient volume, resonated with the depths of my human digestive tract to cause what we – medical personnel – call “involuntary gastro-intestinal motility”. Put in less technical terms, the music precipitated a loss of sphincter control, giving rise to immediate defecation. Oh my God, in a flash I remembered I had put on a pair of crème trousers! There was no other way than to leave the tavern immediately, if all went well within seconds of my date arriving, which could be anytime now. I struggled out of the booth, left some money on the table and directed towards the exit with my head covered deep into my collar. Alas, the door opened and I saw the most beautiful striking pair of legs in high heeled pumps enter the tavern. Slightly panicking I looked up to see a pair of pink tulips – the sign we had agreed upon so I would recognize her. While a burbling warm liquid manifestly was finding its way down the back of my leg I gasped and locked my buttocks in a final effort to make it to the door. I rushed outside while in a flash catching – at least for a split second – the face of the love of my life. All Mighty! It was Holly!

Well Mrs Rhonda, need I to tell you that the bike-ride home was a real torture? Not only was my bum all slippery from the dark beer that had willingly found its way out due to the frequencies of that devilish music, my mind was in total distress because how was I ever going to face Holly, who could have been the love of my life, this next monday in the laboratory? In a way luckily my mother finally hadn’t gone to visit auntie Violet and when she saw – and probably smelled – me coming in, she didn’t spoke a word and directed me to the bathroom. There she undressed me and while I stood slightly bent over in the tub she poured hot water over my back and washed off the oily, somewhat crusted substance from between my legs, still not saying a word. Then she rubbed me with a somewhat rough towel and handed me a clean nightdress and left the room. I drank half a glass of water, went up to my room and got into bed immediately. I lay awake for a long, long time, muffling the tears in my pillow….

© Carl Cryplant 2006

Carl Cyplant-Danny Devos- was te gast bij Red Light Radio – hosted by Menno Grootveld. Via onderstaande link is de uitzending terug te luisteren.

Red Light Radio

The No

Tamara, dj/producer ‘The No’ past uitstekend op het festival Haperende Mens. Multidiciplinaire projecten met bv kunstenaars hebben haar grote voorkeur. Ze is dj, remixt en produceert electronische muziek. Haar muzikale stijlen gaan van minimal wave tot extreem abstracte electronica, underground dance, new beat.

In 2005 begon ze met het produceren van electronische muziek en doet dit onder The No, een conceptueel project waarmee ze speelt met identiteit en verlangen. Het woord No staat centraal voor iets wat nog ontbreekt. Onder de naam Club Lederhosen organiseert ze multi disciplinaire avonden.

In 2001 is ze begonnen met dj-en, ze werd door wijlen Roy Avni (Electronation) uit de platenzaak geplukt om te komen draaien op zijn electrofeestjes. Tamara werkte sindsdien voor en met grote en kleine organisaties en festivals als Amsterdam Dance Event, Knekelhuis, N8, Red Light Radio, SOTU Festival, Subbacultcha. In 2012 zette ze het eerste festival voor muzikale underground (SOTU) in Amsterdam op de kaart door haar bijdrage in marketing en muziek programmering.

De laatste jaren heeft Tamara als dj muzikale bijdragen geleverd, aan onder andere bands als The KVB, The Soft Moon, Soulwax.