Muslimgauze DJ-Project

During our Festival we will have a very special Muslimgauze DJ-Project. We aim to collectively pay tribute to the great influential music project Muslimgauze created by British musician Bryn Jones (June 17, 1961 – January 14, 1999). A broad spectrum of DJ’s will play a 1-hour set with music of Muslimgauze as well as music which they think is inspired by his work. With these different sets we get a variety of interpretations on the vast body of work created by Bryn Jones.

Participants and Timetable:

Friday 12 January:

19:00 – Bob Rusche (X-Rated – Concertzender Nederland)

20:00 – Guy Pinhas (Southern Lord Europe)

21:00 – DJ Liquid Soundclash

22:00 – Kevin Svartvit (the тide øf тhe εnd )

Saturday 13 January:

18:00 – DJ Empty Venue (Gonzo (circus)

19:00 – Pharoah Chromium

20:00 – Sascha Roth (Pantropical)

21:00 – Koen en Tess (Ex-Incubate)

22:00 – Sjoerd Stolk (OCCII Amsterdam/Occii Stu)

The music of Muslimgauze has played a pioneering role in the development of electronic music. By bringing together styles as diverse as industrial, ritual ambient, dance and techno as well as combining previously unheard sampling techniques, the use of ethnic sounds and unique electronic repititions the music of Muslimgauze stands out through time.

Bryn Jones recorded so much material that new releases are still published to this day. His unique blends of electronic music with controversial Islamic, Middle-Eastern and North-African influences make Muslimgauze an indispensable subject during Spider, Spit and Broken Bells.

Academy of The Sacred

On Saturday 13 January between 13:00 – 16:35 at WORM Rotterdam you can join the Academy of the Sacred, where we will explore the theoretical and social implications of our project with lectures and talks.

Spider, Spit and Broken Bells -PART 2- Haperende Mens Festival started as an attempt to create a dialogue between experimental music and media art/theory cultures. The Festival’s very aim became to create a multidisciplinary event to explore from different perspectives traces of the relevance of Bataille’s notion of the Sacred as a form of community formation in the context of an ever-increasing technologically mediated culture.

Following is a brief introduction to our theoretical starting points – our own, so to say, traces of the Sacred – as well as a list of speakers and lectures.

*

“Men, assembling for a sacrifice and for a festival, satisfy their need to expend a vital excess. The sacrificial laceration that opens a festival is a liberating laceration. The individual who participates in loss is obscurely aware that this loss engenders the community that supports him.”

– George Bataille, Visions of Excess: Selected Writings 1927-1939, p.251

George Bataille’s own criticism of technology is ruthless. In a divided world (world of things vs living beings) men is not only responsible for this split, but also finds itself on the wrong side of the divide. The Symposium takes this challenge as its very starting point, asking: could the form of ‘loss’ at the basis of the ‘sacred community’ come to resist the determinism of a technologically mediated culture? Through an eclectic selection of theoretical investigations from the most disparate of backgrounds, the Symposium proposes a research into aesthetical experiences and social bonds that are not subject to recuperation, accumulation or production, but able to question both the normative humanist subject and the very expenditures of capital which he co-creates.

List of lectures and speakers:

*

Nathalie Houtermans (NL)

https://nathaliehoutermans.com/

“Spider, Spit and Broken Bells: introduction”

A research advisor for Haperende Mens, Houtermans is an experienced curator and art & culture theorist, with a special interest in Bataille’s work and its (possible) influence on contemporary art and society. Also a passionate musician, Nathalie is a vocalist and songwriter, developing collaborative projects with music varying from punk blues and noise to lo-fi experimental techno. Currently she is Research Tutor at the Willem de Kooning Academie in Rotterdam.

*

Jan Robert Leegte (NL)

http://www.leegte.org/

“On Eva & Franco Mattes”

Jan Robert Leegte lives and works in Amsterdam. He is among the first artists who were involved in the 90s NetArt movement. A recurring theme in his work is the sculptural materiality of interfaces of computer programs. Recent exhibitions include, amongst others, ‘Electronic Superhighway’ at Whitechapel Gallery in London, and ‘Open Codes’ at ZKM Karlsruhe.

*

Nicola Masciandaro (US)

http://thewhim.blogspot.nl/

“Inner life / inner death: On The Sonic Threshold of The Sacred”

Masciandaro (professor at CUNY Brooklyn College, NYC, US) is a writer and theorist in the spheres of medieval literature and mysticism. Some principal themes of his work are: individuation, sorrow, decapitation, commentary, metal, alpinism, love, anagogy, and paradise. His essays have appeared in a variety of journals (Qui Parle, Cyclops, Collapse et al.) and his recent books include ‘Floating Tomb: Black Metal Theory’ (Mimesis, 2015) and ‘SACER’ (Schism, 2017). In 2018, Mimesis will publish his current project, ‘On the Darkness of the Will’.

*

DDV (BE)

http://www.clubmoral.com/ddv/

The usefulness of Lectures on Saturday 13

Since 1979: one hundred and seventy-two performances in forty-six cities in twelve countries; twenty-eight exhibitions in thirteen cities in seven countries; one hundred and twenty-two group exhibitions in thirty cities in nine countries; two hundred sixty-two articles in seventy-four magazines and newspapers; sixty-six catalogues by forty-seven publishers; one hundred and eleven videos on youtube.com; sixteen dj-sets on

podomatic.com; two thousand nine hundred and eleven posts on wheniwasbuyingyouadrinkwherewereyou.blogspot.com; six hundred and forty-seven posts on theyeshavit.blogspot.com; two hundred and forty-six posts on theartistsbookshelf.blogspot.com; two hundred and eleven posts on onkawaraisnotdead.blogspot.com; sixty-five posts on bastardartgruppe.blogspot.com;

*

Menno Grootveld (NL) [moderator]

Grootveld started doing pirate television in Amsterdam with PKP TV and Rabotnik TV in the early eighties. In the mid-80s he contributed in organizing major media-conferences, such as the European Media Festival in 1985, followed by the Wetware Convention (1991). Menno currently works as a translator and a journalist, and runs his own publishing house in Amsterdam.

*

ARTISTS TALKS

Saturday 13 January – 17:00 WORM – UBIK

Free Entrance

Participants t.b.a.

Moderators: Andrea di Serego Alighieri, Bence Meijer

Film Programme

During Spider, Spit and Broken Bells there will be an extensive film programme.Amongst the titles, we are very proud to present a Dutch premiere of the documentary Bight of the Twin, starring Genesis BREYER P-ORRIDGE and investigating Voudoun rites against the backdrop of Western secular art and performance. Together with screenings of the award nominated feature film Busters Mal Heart, Imagine Film Festival artistic director Chris Oosterom will present the mesmerizing art-film Leviathan by Véréna Paravel and Lucien Castaing-Taylor and an exciting selection of shorts.

Below you can find the selection of the films, their description and time of screening:

*

Leviathan (2012)

by Véréna Paravel
and Lucien Castaing-Taylor

Wednesday 10 January, 20:00

Friday 12 January 20:30

Paravel and Castaing-Taylor create meditative, trance-like “non-narrative epics” into unseen and alien aspects of our environments. Their Leviathan is a vertigo-inducing study of the human relationship to the sea. The film evokes mythologies of the sea, while also addressing urgent contemporary concerns regarding the place of the human in the cosmos.

*

Bight of the Twin (2016)

by Hazel Hill McCarthy III
with Genesis Breyer P-Orridge

Saturday 13 January, 18:00

Sunday 14 January 14 13:00

A documentary film that will take viewers to Ouidah, Benin, the geographic heart of the Vodoun religion, to explore the relationship between Vodoun and Western secular art and performance by trying to answer the question of what embodiment is. An experimental visual and musical journey that weaves a narrative from disparate worlds. The sonic landscapes is built through using tracks by COUM TRANSMISSIONS, THROBBING GRISTLE, PTV and DJM[REX.

*

Lucifer Rising (1974)

by kenneth anger

With a new live soundtrack by Tomaga (UK)

Saturday 13 January, 19:30

The cult classic with numerous magical symbols and allegories, ranging from ancient Egypt to Aleister Crowley’s Thelema will be accompanied by the London based improvisation duo Tomaga which created a new live soundtrack for the film.

*

On Tender Hooks (2013)

by Kate Shenton

Friday 12 January, 19:15

Saturday 13 January, 20:00

The first feature film from accomplished short filmmaker Kate Shenton, On Tender Hooks is a documentary film delving into the world of human suspension and the people involved. She spent a year following a different people and group of suspenders. Every Sunday they pierce themselves with hooks and hang in mid-air from rigs in a display that challenges the perceptions and squeamishness of even the most hardened. The film is a fly on the wall documentary showing how the ordinary human body can achieve extraordinary things. The film depicts a wide variety of experience and opinions, and delves thoughtfully into a deeply misunderstood practice

*

Buster’s Mal Heart (2016)

by Sarah Adina Smith

Wednesday 10 January, 21:30

Sunday 14 January, 14:00

Enigmatic thriller about paranoia and loss of identity, Buster’s Mal Heart is a psychological brainteaser with Lynchian touches. Buster occupies vacant holiday homes, which he leaves in perfect order without stealing anything. In a former life he was Jonah, a night clerk in a remote hotel. One day an unknown man walks in. He warns Jonah about society and the dangers of the upcoming year 2000. Buster’s Mal Heart revolves around the mystery of how Jonah became Buster and the more we find out, the more the boundaries between dream, delusion and reality start to blur.

*

Shorts:

Friday 12 January

18:00- 19:30, 22:00-00:00

Saturday 13 January

19:00-20:00 – 21:00 – 00:00

Eva and Franco Mattes (Exhibition and Internet Performance, IT/US)

V2_, Lab for the Unstable Media and Haperende Mens are proud to present ‘For Internet Use Only’, by artists Eva and Franco Mattes, in the context of Haperende Mens’ Spider, Spit and Broken Bells – Traces of the Sacred Festival 2017/18.

Exploring the theme of the Sacred from a multi-disciplinary perspective, HM Festival 2017/18 focuses on the potential of performativity and transgression as means to unsettle physical/virtual biases in the context of an ever-increasing technologically mediated culture.

‘For Internet Use Only’ is a performance where a live stream of the artists’ computer desktop is projected in the gallery for 48 minutes, turning the audience into voyeurs of the everyday. This ‘Digital Intimacy’ highlights the contradictory logic of this hypermediated space, where everything is both a private activity and public performance. While this engagement is playfully subversive, its implications are chillingly real against a backdrop where our data is increasingly mined, owned, sold and surveilled.

The special digital performance ‘For Internet Use Only’ will take place on Friday January 12th at V2_. And the exhibition as a whole will be from Friday 12 to Sunday 14 January also to be seen at V2_ during Spider, Spit and Broken Bells.

Alessandro Adriani DJ-Set (Mannequin Records IT/DE)

Born and raised in Roma, Italy and now living in Berlin, Alessandro Adriani is the brain behind Mannequin Records, an outlet that since 2008 has done arguably more than any other to unearth obscure synth wave and industrial music from all over the world.

Aside from his work in releasing forgotten gems and up to the minute synth incantations, Adriani has also been quietly issuing out his own music and remixes as well (check the killer Lata Ramasar’s “The Greatest Name That Lives”, the OG of which has long been lusted after by intrepid diggers the world over and the Nico Fidenco’s Zombi Holocaust legendary 1979 soundtrack reworks)

Mannequin Records has been pleasuring our ears with cherry picked wave, post punk, industrial, synth, psychedelic releases. It is definitely one of those labels, that have a strong sense of concept and style, yet manage to be diverse, innovative and unpredictable. Mannequin is truthful, sincere, genuine and not chasing the hype and presents a colorful, intriguing and adventurous soundworld.

Alessandro is the resident dj and organizer of the bimonthly Mannequin Records Night at OHM Berlin.

He will be closing the festival on Saturday the 13th with a special DJ-Set ‘til late!

Soundcloud

Mannequin Records

The Oscillation (UK)

Veering between krautrock edginess and bittersweet pop melancholia, droning medicated tones and noise driven no wave fuzz, The Oscillation recalls the kosmische musik of Neu! and Tangerine Dream interpreted with an eye on Pil’s dubbed out punk funk, Miles Davis’ experimentalism and Spacemen 3’s strung out blues rock.

Beginning in 2008 as the solo project of Demian Castellanos, when DC Recordings released the debut “Out Of Phase”, The Oscillation quickly expanded into a formidable live force. The enlarged ensemble has featured numerous different musicians plus the live visual manipulations of film maker Julian Hand. Now, almost eight years and several hundred live shows later, the band return: at the beginning of 2016 The Oscillation released their 4th album, ‘Monographic; building on previous albums that have won them acclaim from all corners of the world.

https://theoscillation.bandcamp.com/

NAKED (UK)

NAKED are Agnes Gryczkowska and Alexander Johnston, a London-based duo engaging with noise, industrial, experimental and extreme forms of electronic music. Their new EP— Total Power Exchange — released on Halcyon Veil, uses the sounds of sex, vomit and noise to create a heavy, spine-crushing noise hybrid with Salò-birthed vocals.

Taking its title from a masochistic practice, Total Power Exchange refers to a sexual relationship or activity in which there is the submissive and the master – the control filters down to all aspects of the submissive’s life and existence – which can also be taken as metaphor for socio-political control. NAKED live up to every letter of that premise, subjecting the listener to a barrage of unpleasantries/ecstasies in the destructive maul of “Unleash Me”, then drowning them like “Yellow Tears” in the cistern with the paso-doble flashcore battery of “Spit”, before sousing ears with incendiary sonics in “Disease”, and obliterating the senses via tirade of blastbeats and unrepentant squall in Whip.

NAKED’s live performance is an integral part of their practice – it penetrates, caresses and obliterates all senses. Raw, primordial and uncontrolled, yet ephemeral and highly emotional, their live presence is characterised by the extremity of vocal and sonic deliveries, Agnes’ confrontational destruction of the boundaries between performer and audience, lighting capable of inducing altered states of consciousness, olfactory interventions, and raw power electronics.

This year saw NAKED release two new music videos and an alternative national anthem for DAZED which followed the release of their debut album Zone and a collaboration with Mykki Blanco. They have performed at Unsound Festival, City Hall in London for the Serpentine Galleries, SXSW, RBMA and Cafe OTO and are set to announce their first live dates in Asia.

group A (JP/DE)

Group A is Berlin-based Japanese duo specialising in experimental minimal electronics with violin and playing quite odd live shows laying somewhere in between modern punk action and performance art. The band is among a new breed of noise and industrial musicians with the strong DIY spirit that are taking the genre and making it their own.

https://groupa.bandcamp.com/

JK Flesh (UK)

JK FLESH is the pseudonym employed by Justin K Broadrick for his solo work within the realm of heavy/brutal electronica/techno – informed by industrial, dub, power electronics and the extreme excesses of electronic music driven by beats and bass. Justin initially used this pseudonym in the legendary Techno-Animal with co-conspirator Kevin Martin (of The Bug / King Midas Sound, etc).

https://jkflesh.bandcamp.com/